A real process from start to finish — no more procrastinating.
"I've honestly done in two weeks what I thought would have taken me two years. You got to come see Rich."
Nick HardingMost London classes put 15, 20+ actors in a room, all working the same material. I know — I paid for them. Years ago I spent £200 on a weekend workshop and got fifteen minutes on the floor. So I built the class I couldn't find.
"You will do this all the time, all three hours. You will be completely included in this process."
Aneta BohunMaximum six actors. Your scene, chosen for you. One full hour on the floor, every session.
Book your block →Dates and times are on the booking page.
Your first two weeks introduce the core concepts and fundamental exercises of the technique, applied to a character chosen just for you — a way of working you can repeat for yourself. Blocks roll every month; come as often as you like. That's how Tom trained — his year is below.
Six hours of live training across two weeks.
"I've gone to so many classes where you run a scene twice that's like one page. Here we're on the floor for an hour at least — and that's with a four, five page scene."Tom Panto
Because we're all as individual as our fingerprints. Your scene targets your weaknesses — so class time turns them into strengths. Picked specifically for you after your welcome call, sent one week before class. You walk in ready.
Instead of a page covered in random scribbles, you leave with an emotional score: exactly what your plan of attack is, written into the text.
Thirty minutes before your first session: your training, your career, your goals. Private time with me, included in every booking.
After every class you get a homework email: exactly what to work on and how. Stuck between classes? Email me. I answer. Expect six hours of homework across the block — only the serious need apply.
"You're always open. You're always approachable. You answer my emails very quickly."Noah Santana — six-week intensive
Family time after class. Theatre trips together. Scene partners who become your readers for life.
"Rich created a very safe environment for everyone and everyone was very supportive."Michael Zgatni
You'll feel the difference before you can explain it. I'm developing your internal gauge — so you know when you're connected, you know when you're off, and you can tweak it for yourself.
In class you always have an audience. You'll feel people watching at the start — then you'll be so connected you won't. When you know you can act, because you keep killing it in class, you won't freeze in auditions. You'll deliver.
Actors from major feature films have come to me stuck in commercials for years. Others lost their agency in lockdown and never got moving again. I'm an expert at creating solutions — there's a way around everything.







Choose your dates. Only two blocks open at a time — when a room fills, it's full.
Book your place. Under two minutes.
Welcome call. Thirty minutes with me before your first session.
Receive your scene. One week before class. Chosen for you.
Tom filmed a check-in at every stage. Watch the process arrive in real time — month one to one year.
First commercial
A guest role in "Eloise", starring Ryan Reynolds
Preparing his first lead




The steps work. If you do.
Book your block →"It was absolutely amazing. It's the best acting experience I've ever had."
Amelya Goldy"I've just booked my first paid role — having used the Chubbuck method in my self-tape! Thanks for your teaching x"
Amelya GoldyOther recent success stories include:
Your scene arrived a week ago — chosen for you, not pulled from a drawer. You step on the floor and for a full hour it's your scene, your work. You leave tired, lit up, and holding a script that finally tells you exactly what to do.
Two 3-hour sessions · one full hour on the floor per scene · your scene chosen for you · your Emotional Score · a welcome call with me · homework and support between classes · maximum six actors.
Book your block →Theatre Deli, 5 Greenwich View Place, E14 9NN — Crossharbour DLR. If a date doesn't appear, it's sold out.
Class is open to all. Most actors who find me are already working — and you'll likely share the floor with someone further ahead in the technique than you. Five years of teaching has proven that speeds your growth considerably. I've worked with beginners, actors returning after raising children, and people entering the business after a first career. If you're ready to work hard, I can help you change the game.
The 1-2-1 work is all on Zoom, wherever you are in the world. Group classes are in-person in London — and the online group class waitlist is now open. Join it here →
I spent years training with Ivana in her weekly international masterclass before she invited me to teach her technique in London. But don't take it from me — look at the results. Students on Netflix, ITV, BBC and Starz — in feature films and on the West End. One hour on the floor per scene, six actors maximum, and I answer my emails between classes. Come and compare.
Most classes give you inspiration. This gives you a process. There's a difference between feeling good after class and knowing exactly what to do when you're alone with a script at midnight before an audition.
Book the block, commit to both dates — the same professionalism you'd offer an audition: on time, ready to do your best. Transfers are possible only when both actors can move into another class. Full terms at booking. Payment plans are always available — just ask.
No. We work in a personal way, so no recording is permitted.
Over-18s only.
One hour with me on Zoom puts the process straight onto your exact material. £65. You'll leave knowing precisely what to do before you record.
See audition prep →5 Steps to a Self-Tape You're Proud to Send. Grab the guide and have a go at re-taping your last self-tape — feel the difference for yourself.