The Private Intensive · Zoom · Worldwide

The whole technique, one to one.

Six weeks or ten. All the focus on you — your weaknesses, and exactly what we need to do to turn them into strengths and start broadening your range.

Tonnes of homework, support and guidance. Real-world self-tape assignments every two weeks, and we’ll walk through critiquing your tapes together, so you know exactly what to do for yourself when it counts. Straight to the strongest possible choices for you — and I’ll teach you how we get there.

Six weeks £475Ten weeks £79090-minute sessionsAnywhere in the world

Book the Intensive here →

Proof

Hear what actors say after two weeks — and after all six.

Harrison · Week 2 — “Rich has been empowering me to really believe in my own choices. My own fingerprint.”

Harrison · Week 6 — “A lot more activated and animated, from a very real place. It feels like play.”

Noah · Week 2 — “Being put into an uncomfortable position in which you can only grow.”

Noah · Week 6 — “My agent and casting directors have already come back with fantastic feedback on the tapes.”

Hazal · Week 2 — “My repeatability definitely increased, and I’m having much more fun.”

How it runs

Built from your welcome call.

Welcome call.Thirty minutes with me. I build the whole plan from it — where you are, what you can’t do yet, where you want to get to.
90-minute sessions on ZoomAt least one every ten days, so the work stays live between sessions.
I choose the material and set every assignment.Monologues and audition-style scene excerpts, chosen for your growth.
I analyse the text before we startYour character’s journey and everyone else’s — so we go straight to the choices.
One self-tape every fortnight.We critique it together, so you learn to see what I see.
A minimum of six hours of homework between sessions.If you do more, we’ll get further.

I can guarantee you time, attention, honesty, and exact instruction on what to do, what to change and what to focus on next. You put the hours in.

It’s you, the text, and me, every session. That’s why it turns actors into self-tape killing machines — and why Harrison did this first, then joined the room.

Six weeks or ten

Two lengths. One technique.

“My agent and casting directors have already come back with fantastic feedback on the tapes.”

Noah · week 6

Six weeks

Six sessions · nine hours

£475

Two ways to pay. In full when you book, or £492 in three payments — £45 today, then 3 × £149 with Klarna — whichever suits you. Klarna

A focused push on a specific weakness, or the fastest way to learn the fundamentals before the Studio Class.

Book six weeks — £475 → Six weeks in three payments →

Ten weeks

Ten sessions · fifteen hours

£790

Two ways to pay. In full when you book, or £810 in three payments — £45 today, then 3 × £255 with Klarna — whichever suits you. Klarna

The foundation properly built, further into inner monologue.

Included on the ten: an extra session where I direct you through re-shooting your favourite piece for your Spotlight. New material on the profile every casting director looks at.

Book ten weeks — £790 → Ten weeks in three payments →

One question before you book? Email me →

Training in your trade is tax-deductible if you’re self-employed, so hold on to your invoice. For actors 21 and over.

At the end you’ll have

A worked script for every piece — your emotional score, in your hand, and a template for when you’re on your own
A set of self-tapes, one a fortnight, each critiqued with me
New material for your Spotlight
A process for auditions you can run on your own

Plenty of actors do it twice — the second run goes deeper.

Want to try the technique first? The Intro — two afternoons, £97.50 →

Before you book

Do we get through all twelve steps?

We work from your weaknesses into the more advanced concepts and exercises. How far we get depends on the hours you put in between sessions. I’ll tell you honestly at the halfway point where we are.

Can I choose the material?

No. I choose it, and I set every assignment. The point is to work on what you can’t do yet.

Six or ten?

Six if you want a focused push or you’re testing whether this way of working suits you. Ten if you want the foundation properly built and the Spotlight re-shoot. If you’re not sure, ask me on the welcome call.

Can I do this alongside the Studio Class?

I’d recommend one thing at a time. Do the intensive, then the room.

Can I do it in person?

If you’re in London, ask.

What if I book a job partway through?

Tell me and we work around it. The whole point is that you’re working.

Can I do it from outside the UK?

Yes. I’ve coached actors in South Africa, Mexico, Bali and Australia this way.