Six weeks or ten, one to one on Zoom. We start with what you can't do yet, turn those into strengths, then broaden your range. I build the plan from your welcome call and I choose every assignment.
Harrison Booth, week two — "Rich has been empowering me to really believe in my own choices. My own fingerprint."
Harrison Booth, week six — "A lot more activated and animated, from a very real place. It feels like play."
I can guarantee you time, attention, honesty, and exact instruction on what to do, what to change and what to focus on next. You put the hours in.
Noah Santana — "My agent and casting directors have already come back with fantastic feedback on the tapes."
Hazal — "My repeatability definitely increased, and I'm having much more fun."
This isn't a faster version of the class. Working one to one means no partner exercises — what it does instead is put my full attention on your weaknesses and nobody else's, which is why it turns actors into self-tape killing machines.
The group room is where you watch other actors worked through different material, genres and stakes, and learn to recreate situations you've never lived. Both matter, and they do different things. Plenty of people do both.
Or pay as you go at £1,125 and £675 — paying in full saves you £335 and £200. £45 secures your place and comes off the total. Payment plans on request.
21 and over. Payments are non-refundable, and the full terms are shown when you book.
We work through your weaknesses into more advanced concepts and exercises, and how far we get depends on the hours you put in between sessions. I set the plan from your welcome call and I'll tell you honestly at the halfway point where we are.
I choose it, and I set every assignment. Actors tend to pick what they're already comfortable with — I do it too. The point is to work on what you can't do yet, and that's easier if the choice isn't yours.
No-shows and late cancellations forfeit the session. Genuine life problems are respected and rescheduled where you communicate with me — just tell me as early as you can.
Tell me and we work around it. The whole point is that you're working.
Yes. It's one to one on Zoom, and I coach actors in South Africa, Mexico, Bali and Australia.
Six if you want a focused push on a specific weakness or you're testing whether this way of working suits you. Ten if you want the foundation properly built.
If you're not sure, book the welcome call conversation first and ask me. I'd rather put you in the right one.